Start by reviewing and understanding the inputs and outputs of your interface and be certain that you have all of the right cables. “It gives you another palette, a selection of organic analog equipment, that you can use,” Huart says. You can then use all of your guitar pedals as your front end and put that back into a guitar amp or directly back into your DAW (digital audio workstation).”įor example, his colleague Bob Horn, engineer/producer for Usher, Nelly, Everclear and Timbaland, uses guitar pedals on his mixes and not just for guitars, but for vocals, keyboards, drum loops or anything. “That goes through the reamp into your normal guitar chain. “This allows you to send a direct clean signal off of your computer,” Huart says. How Reamp Boxes WorkĪll reamps take a balanced line-level signal from either a mixer or an interface and make it into an unbalanced instrument-level signal that can be handled by a guitar amp. In this tutorial, Warren Huart explains reamping and how to get the best results in the most practical ways. For the guitarist on a budget, Saturnworks, Switchcraft and Radial offer affordable options. If you want to reamp, you’ll find plenty of reamp boxes on the market, including some that won’t empty your wallet. Then some boxes have 'emulation', fancy name for passive EQ but you can do that in the DAW post tracking.“Printing a DI gives you a lot of flexibility when it comes to mixing, especially if you don’t mix your own stuff and you give it to somebody who wants to dramatically change your guitar sounds to fit their vision of how your song should be mixed,” Huart says. Low to high pair of transformers but you don't need that if the re amp signal is hot enough, as it should be out of an AI. the link was ove a mic tie line via a High to low. The idea that you need some fancy kit to re amp probably came from the old dodge whereby the guitarist stayed in the control room and the (King loud!) amp stack stayed in the studio area. Quite often you don't even need an "earth lift". "Posh" way is with a 1:1 transformer or you can just break a ground path in one of the signal lines. A "re amp box" basically does two things.ġ) it reduces line level to 'guitar level' and since both those quantities can be all over the shop depending on the interface and amp used, the usual idea is some sort of pot so you can have maximum line output or fade to zero.Ģ) Some means of isolating the grounds between interface and guitar amplifier but often you don't need even that. "You don’t strictly need the reamp box." Right on, listen to The Cat. any help would be super appreciated, even if its telling me I'm a dumbass and am doing it wrong lol. i am a sound prod student and have much to learn, so please keep that in mind. This is the first time I've ever experimented with a reamping process so its also possible I've set up something wrong. perhaps pro tools is sending the wrong kind of level (speaker or line)? I'm unsure what the problem is, or how to fix it? it cant be the amp or the pedal because they both sound as they should when playing guitar through them normally. it finally started breaking up and distort after using 2 pedals cranked to full, but obviously i couldnt get a very enjoyable tone this way as the signal was WAY too oversaturated. all the pedal is doing is boosting the signal and adding a ton of hiss in the background, yet the guitar sounds as clean as can be. however, when i send the pre-recorded (DI) signal through the pedal and into the amp, using the reamp box, it sounds completely different, and not distorted at all. when I plug a guitar through the pedal into the amp it sounds just as you'd expect, the pedal is distorting the signal as it should and it sounds great for rock/metal. I'm going for a distorted guitar sound (for hard rock), so I'm using a Vox ac15 and an overdrive pedal for the distortion (with pro tools as my DAW). I'm having some trouble with reamping a guitar signal for recording and am unsure what the issue is. This is my first post so apologies for any errors.
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